American Impressionist Painter, 1874-1939 was an American Impressionist painter. He was born in Owosso, Michigan and studied at the School of the Art Institute of Chicago and the Academie Julian in Paris. Frieseke and his family resided for fourteen years in Giverny, which was also home to Monet. He had a great influence on the Americans at the colony there  Related Paintings of Frieseke, Frederick Carl :. | The Garden Parasol | Lady Trying On a Hat | Reflections | Cherry Blossoms | Hollyhocks |
Related Artists:
Silvestro lega
Italian Realist Painter, 1826-1895 Italian painter. From 1843 to 1847 he attended the Accademia di Belle Arti, Florence, studying drawing under Benedetto Servolini (1805-79) and Tommaso Gazzarini (1790-1853), then, briefly, painting under Giuseppe Bezzuoli. About 1847 he entered Luigi Mussini's school (see PURISMO), where the teaching emphasized the 15th-century Florentine principles of drawing and orderly construction. Then and for some years afterwards he continued to attend the Scuola del Nudo of the Accademia. After fighting in the military campaigns for Italian independence (1848-9) Lega resumed his training, this time under Antonio Ciseri, executing his first large-scale painting, Doubting Thomas (1850; Modigliana, Osp. Civ.). In 1852 he won the Concorso Trienniale dell'Accademia with David Placating Saul
Gustav Graef
(December 14, 1821 in Königsberg - January 6, 1895 in Berlin) was a German painter, primarily of portraits and historical subjects. He studied with Theodor Hildebrandt and Friedrich Wilhelm Schadow at the Kunstakademie Desseldorf. His son Botho Graef became an art historian of some note, and his daughter was the painter Sabine Lepsius.
Paul Raud
(22 October 1865 in Kirikukela, Viru-Jaagupi Parish C 22 November 1930 in Tallinn) was an Estonian painter. The twin brother of painter Kristjan Raud, he studied in Desseldorf beginning in 1886, becoming influenced by the work of Eduard Gebhardt. After his return to Estonia, he painted mainly portrait commissions for some time, before traveling with his brother and Amandus Adamson to the islands of Muhu and Pakri in 1896. His works of this period are reminiscent of those of Max Liebermann. In 1899 he returned to work in Germany, taking on some of the stylistic trappings of Impressionism; this, coupled with time spent working with Ilya Repin, influenced his later style. Later in his career, most especially during and after World War I, he began to teach, from 1915 working as a drawing instructor at the Tallinn Institute of Commerce and from 1923 at the State School of Industrial Art in Tallinn.